Page lvl

Sunday, August 5, 2012

SILPACHARJA JAYNUL ABEDIN MUSEUM

Silpacharja Jaynul Abedin Museum is situated in Sonargaon pourasava of Narayangonj district. This is a two stored building. In this museum you will see many memorable things of Bangladesh culture. In front of museum the are one vehicle made by mud. This vehicle included two cow with four wheel. Beside the museum there are two horse riding by two soldier is kept.



Jainul Abedin was born in December twenty nine 1914and died in  1976. Jainul Abedin was a Bengali painter. He got the break through in 1944 along with his Famine Series paintings of 1943. once partition he moved to Pakistan; and eventually once Asian country was created in 1971, he was justly thought of commencement father of Bangladeshi art. He was AN creative person of remarkable talent and international repute. Like several of his contemporaries, his paintings on the geographical region famine of Forties is perhaps his most characteristic work. In Asian country, he's referred with honor as Shilpacharya (Great Teacher of the Arts) in Asian country for his inventive and visionary qualities.

Zainul Abedin was born in Kishoreganj, East geographical region on December twenty nine, 1914. a lot of of his childhood was spent close to the scenic banks of the river. Brahmaputra would later seem in several of his paintings and be a supply of inspiration all throughout his career. several of his works framed Brahmaputra ANd a series of watercolors that Zainul did as his tribute to the river attained him the Governor's palm in an all-India exhibition in 1938.This was the primary time once he came beneath spotlight and this award gave Abedin the boldness to form his own visual vogue.

In 1933, Abedin was admitted to Calcutta Government conservatory in Calcutta. Here for 5 years he learned British/ European educational vogue and later he joined college|the college} of a similar school once his graduation. He was disgruntled with the specializer vogue and also the limitations of European educational vogue and this LED him towards realism. He was the pioneer of the trendy social movement that happened in Asian country. In 1948 he, and with the assistance of few of his colleagues, based AN art institute in Dhaka. that point there have been no art institute gift in Dhaka and he was the commencement principal of that institute.
After finishing his 2 years of coaching from AN conservatory in London, he began a brand new vogue, "Bengali style", wherever people forms with their geometric shapes, typically semi-abstract illustration, the employment of primary colours were the most options. however all told his drawing one issue was distinguished that his lack of plan in perspective. Later he accomplished the constraints of folks art, thus he went back to the character, rural life and also the daily struggles of man to combination of art that may be realistic however fashionable in appearance.

Among all the modern works of Zainul Abedin, his famine sketches of Forties ar his most exceptional works. He created his famine painting set, which, once exhibited in 1944, brought him even a lot of essential acclaim. The miserable state of affairs of the starving folks throughout the good famine of geographical region in 1943 touched his sensitive heart terribly deeply. He created his own ink by burning charcoal and mistreatment it on low cost normal packing paper, he portrayed those starving those who were dying by the road aspect in search of bit of food. What Zainul did wasn't simply documented the famine, however in his sketches the famine showed its sinister face through the skeletal figures of individuals doomed to die of starvation in a very unreal issue. Zainul portrayed this inhuman story with terribly human emotions. This drawings became picture pictures of human suffering. This sketches helped him realize his manner in a very realistic approach that targeted the human misery, move violently and protest. The Rebel crow marks a section of that vogue. This specific complete of realism combines social inquiry and also the protest with higher aesthetics.

He was an cogent member of the Calcutta cluster of progressive artists and was friends with Shahid Suhrawardy and Ahmed Ali of the Progressive Writer's Movement.